Age-appropriate Programs
All MYC programs cover certain material, designed for the developmental learning abilities appropriate to the age of the children in the program. The curriculum for each level is carefully geared and paced to the abilities and learning styles for that particular age.

Curriculum
The concepts and skills that are covered in each week’s lesson are provided by certified MYC teachers who, with many aids, create their own lesson plans. Teachers are able to modify lessons based on the needs of the children in their classes, while following an international “map". It also allows the teachers to strengthen their presentations by using their own creative ideas. No matter how individualized the presentation, however, the following activities are incorporated into the curriculum to teach or reinforce the concepts.

Singing
Development of ear training and sight-singing through the use of solfege is an integral part of the program. Songs are also used for expressive singing and to reinforce dynamics and the teaching of concepts.

Listening
Because listening is essential to music literacy, each level includes listening activities ranging from:

•  By-ear playbacks to melodic dictation
•  Rhythm pattern identification to dictation
•  Listening for dynamics
•  Chord quality identification
•  Well-known melodies and composer or style identification

Homework
Developmentally appropriate written materials are provided for each level as confirmation and review of rudiments and theory. Homework for the youngest learner might be a gluing and coloring task while the Sunbeams’ work may include theory pages reinforcing what had been reviewed in class and the Moonbeams’ homework might include note and rhythm notation, vocabulary, chord study, scale writing and simple analysis.

Keyboard
The keyboard geography begins in a D-centered approach. Keyboard reading skills are developed through careful, incremental introduction of note reading with constant review to motivate and confirm for the child his/her own developing sight-playing skills.
Final year keyboard includes playing grade one conservatory or late-elementary standard piano repertoire and folk songs. Technique, scale and full chord studies, ensemble playing, arranging and harmonization are emphasized.

Rhythm Ensembles
Rhythm and keyboard ensembles are used throughout the course for:
•  Reinforcement of rhythm reading
•  Ensemble practice
•  Exposure to great melodies
•  Introduction to periods and styles
•  Fun

Composition
A composition unit of study is included in each level of MYC®. However simple or elaborate in construction, each composition is reviewed and the student’s effort is appropriately rewarded and encouraged. Creativity and expression are nourished.

Materials
Program materials are specially designed and produced for the child’s age and development. The text is beautifully and cheerfully illustrated and exciting for the young child. Each text provides: singing, warm-ups, keyboard, listening, rhythm and keyboard ensembles and home assignment sections. In addition to the comprehensive student manual, the student receives a carrying bag, magnetic board with grand staff on one side and keyboard on the other, magnets, castanets, homework book and a parent guide.

Parent Involvement
Parent participation in the studio is integral to the MYC program. By being present, parents become aware of their child’s learning styles, strengths and interests. And they can serve as informed guides in choosing further musical study.

Parent participation in the program also allows reinforcement of concepts and skill-building at home. Parents see how the concepts are presented, and learn how to reinforce the ideas at home. Parent help during the classes is critical to the program; young children need guidance to find pages and someone to point during the rhythm ensembles.

Also, the presence of a parent provides stability and security for the child, for whom this may be the first structured experience.

Endorsement
The Music for Young Children program has to be counted as the dominant force in the musical training of young children in Canada today.

Many of the new students arriving each year in my studio are graduates of Music for Young Children. They arrive superbly prepared and well motivated for further study.

MYC teachers have found the right balance. They successfully blend the pleasure and joy of music making with the rigour of a well-crafted pedagogical progression.

Marc Widner, Chief Examiner emeritus, Royal Conservatory Music Examinations

Video Clips
Welcome Section1 Section2 Section3 Section4 Section5 Section6 Section7 Section8 Testimonial1 Testimonial2